Richard Hayes
Hamid Drake is utterly unique. Anyone who watches him perform will be in awe of the fluidity of his movements and his rhythmic sensibilities. Both can seem supra-human at times. This is not a collaboration which I would have predicted to even take place, let alone be successful. Just goes to show how little confidence I have in my good fortune.
Mako Sica is “free-rock trio” from Chicago whose members seem to have a very wide palette of tones and musical ideas to draw upon.
This is a melange of spacey psychedelic jazz which repays careful listening. It’s immediately likable. But the more you listen the more you see, if I may coin a phrase. The deeper you go the warmer and more satisfying this mixture of influences becomes.
Pick up this limited edition cassette while you can.
Favorite track: Emanation.
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Brilliant, inspired and somewhat surprising collaboration between Chicago's premier free-rock trio and the truly legendary percussionist, Hamid Drake, who has played with everyone from Don Cherry to Peter Brotzmann to Lee Perry.
This collusion was precipitated by Matt Jackowiak, a mutual friend, who thought a merging of their sounds might make for an ecstatic explosion. This feeling became mutual after they played a show together at Constellation. The set mixed Mako Sica tunes with improvisations that took everyone to places they hadn't expected, and the trip was deemed an utter success.
Ronda was done at two sessions, scheduled around Hamid's insanely busy work schedule. The first was at Jamdek with Douglas Malone at the board, the second was at Electrical Audio with Taylor Hales. The Electrical session allowed the players access to a host of additional instruments, so the sonic palette on “Dance with Waves” and “Emanation” is wider and somehow more cosmic than usual.
But the whole album has an extraordinary depth and width of sound. Even the great songs Mako Sica has had in its set for a while like “The Old Book,” gain whole new levels of otherness here, and the material based in quartet improvisations, like “The Wu Wei,” explores wild new territory for the band.
Ronda (named after a town in southern Spain with a famous 18th Century bridge crossing a deep gorge) is the first span connecting the disparate musical worlds of Mako Sica and Hamid Drake. Let us hope it is but the first of many.
credits
released July 27, 2018
HAMID DRAKE -- Drum Kit, Tablas, Frame Drum
PRZEMYSLAW KRYS DRAZEK -- Electric Guitar, Classical Guitar, Trumpet
BRENT FUSCALDO -- Vocals, Electric Guitar, Classical Guitar, Thumb Piano, Bass, Harmonica, Gongs, Floor Tom
CHAETAN NEWELL -- Congas, Electric Piano, Grand Piano, Hi-Hat, Sleigh Bells, Teponaztli, Timpani, Cello, Upright Bass, Viola, Drum Kit, Native American Flute, Organ, Tambourine, Orchestral Bells
Tracks 1-2 Recorded at Electrical Audio by Taylor Hales. Additional Recording /Mixing at Jamdek by Douglas Malone
Tracks 3-5 Recorded and Mixed at Jamdek by Douglas Malone. Additional Recording/Mixing at Polytonal Productions by Chaetan Newell.
All Tracks mastered by Todd Rittmann at Shy Diamond
So happy to see a new album from this band. I've long been a fan of Mazurek and Parker's work in Tortoise, on top of the CUQ... Anyhow, if you're curious about contemporary jazz, this is a terrific place to start.
Hobie Anthony
I honestly got this album because of how dope the Yellow Cassette is, but it's surprisingly experimental with it's use of drawn out synths that really emphasize the theme of "Electroradiance" Tyman
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I don't just love this album, its almost certainly in my Top 10 albums of all time (like those other 200 or so corkers lol) but this is splendid. Free jazz jams slowly coalescing into the heaviest grooves this side of the Sunn(()), just mind-blowing head candy. Wish I owned the cassette!! :( Monkton Wylde